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Learn the matching techniques to maintain color consistency across all shots, sequences, and throughout an entire production!

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Since its origin, the fundamental task of the colorist has been the color grading or matching of images: both from different cameras or footage and due to complex lighting situations during shooting. The most important mission of the digital colorist is to make all these changes go unnoticed by the viewer’s eyes, constituting a technique and almost an art.

In our Online Course DaVinci Color Matching you will learn the matching techniques so that you can maintain color consistency across all shots, sequences, and throughout an entire production. Starting from the basics, you will be able to tackle complex matchings, whether for grading your own projects or high-level productions.

DaVinci Resolve is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level.

But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely.

 

An excerpt

Program

  • Image Analysis for Matching
  • Matching Before or After the Look?
  • Matching Techniques with Different Tools (Color Wheels, Color Bars, Curves)
  • Using Other Tools to Match Details (Log Spheres, Color Warper)
  • Copying and Pasting Corrections
  • How to Start Matching a Sequence
  • Practical Application in a Sequence
  • Matching Through Color Management
  • Advantages and Disadvantages of Color Management for Matching

Objectives

  • Understand and become familiar with DaVinci Resolve’s matching tools and workflows
  • Optimization of resources through workflow improvement.
  • Resolution of technical and theoretical questions.
  • Understand, through real examples, the application of techniques and formats in specific professional contexts.

Teaching Staff

IMDB profile LINKEDIN

Elena Humanes | Colorist

EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools. You can check her LinkedIn profile and her IMDB page

Aimed at

Colorists, editors in Avid, FCP, and Premiere, cinematographers, digital image technicians, producers, filmmakers, and anyone who wants to acquire the necessary foundations to achieve shot matching in a sequence, piece, feature film, or any production.

In order to take the course, it is necessary to have basic photographic knowledge, as well as basic knowledge of post-production and color. The course does not cover the theory of color correction or its processes, nor the basic operation of DaVinci Resolve. This is a course specifically focused on equalization techniques.

Materials

All materials used in our courses are high-quality files, captured with professional market cameras. Some of the files used in this course were shot during the Cadec 2022 Congress in the Canary Islands.

+ Info

SOFTWARE USED: DaVinci Resolve 18

Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!

Course code: CO-RESIG-GEN10

FAQ's

These are video courses for you to download and have permanently on your computer.

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