Francis Rollins, 709 Media Room user

I like the high quality of their instructors







Learn to handle the necessary tools to solve the most common problems encountered in the color correction phase!

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Original price was: 50,00€.Current price is: 25,00€.

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Unfortunately, part of the colorist’s job sometimes involves solving problems in the original footage. Even in the best recordings, we can encounter situations that need to be resolved. In other cases, we may also be asked to improve the original materials as much as possible. In these instances, we are indeed talking about color ‘correction’.

In our DaVinci Resolve Troubleshooting Online Course, you will learn to handle the necessary tools to solve the most common problems encountered during the color correction phase. Using various OFX included in DaVinci Resolve, as well as some tools from the Color Room, we can eliminate image noise, banding, dead pixels, perform simple element removal, or even replace skies.

DaVinci Resolve is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level.

But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely.

 

An excerpt

Program

Temporal and Spatial Noise Reduction
Dead Pixel Removal
Banding Elimination
Image Flicker Removal
Chromatic Aberration Correction
  • From the Nodal Structure
  • Patch Replacer
  • Object Removal
  • Traditional Method
  • Using OFX
  • Grain Controls in Sky Replacement
  • New Ultra NR Spatial Noise Reducer

Objectives

  • Understand and become familiar with troubleshooting tools and workflows in DaVinci Resolve
  • Optimization of resources through workflow improvement.
  • Resolution of technical and theoretical questions.
  • Understand, through real examples, the application of techniques and formats in specific professional contexts.

Teaching Staff

IMDB profile LINKEDIN

Elena Humanes | Colorist

EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools. You can check her LinkedIn profile and her IMDB page

Aimed at

Colorists, editors in Avid, FCP and Premiere, cinematographers, digital image technicians, producers, filmmakers, and anyone who wants to acquire the necessary knowledge to solve typical problems in color correction.

In order to take the course, it is necessary to have basic photographic knowledge, as well as basic knowledge of post-production and color. The course does not cover the theory of color correction or its processes, nor the basic operation of DaVinci Resolve. This is a course specifically focused on problem solving techniques and artifacts.

Materials

All materials used in our courses are high-quality files, captured with professional cameras on the market.

+ Info

SOFTWARE USED: DaVinci Resolve

Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!

Course code: CO-RESPROB-GEN10

FAQ's

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