Online Course on Codecs, Formats, and HD and 4K Workflows


Anna Bello Recasens, student of the Online Course on Codecs, Formats and HD and 4K Workflows

Everything you need to be professional and stay up-to-date in a world, that of audiovisual, which changes and evolves at a dizzying speed.


DURATION

9 HOURS


LEVEL

INTERMEDIATE


NUMBER OF VIDEOS

45 VIDEOS


DOWNLOADABLE

Direct video download



Learn the essential ingredients of digital video and build the most effective recipe and workflow for your productions. With our Online course on HD and 4K codecs, formats, and workflows you will learn to evaluate and choose the most effective technical processes to shape a workflow tailored to each project, optimizing resources, time, and costs.

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Original price was: 99,00€.Current price is: 49,00€.

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What is the present and future of 4K video? And the differences between various codecs, formats, or media? Which processes are the most suitable for each project or production, without compromising quality or increasing production costs? What is HDR?

With our Online course on video codecs, formats, and workflows you will learn to evaluate and choose the most effective technical processes to shape a workflow tailored to each project, optimizing resources, time, and costs.

An excerpt

Program

  • Differences Between PAL and NTSC
  • Digital Signal Resolutions SD and HD: 576, 720, 1080
  • PAR (Pixel Aspect Ratio): Square and Non-Square
  • Digital Cinema and HDTV Resolutions
  • High Resolutions in Sensors
  • Cinematic Aspect Ratios
  • Spherical and Anamorphic Optics. Anamorphic Aspect Ratio in Digital Cinema.
  • Aspect Ratio Conversions
  • Scanning: Interlaced, Progressive, PSF. Differences Between Capture and Recording
  • Frame Rates
  • HFR: High Frame Rate Images
  • Drop Frame/Non Drop Frame
  • Frame Rate Conversions
  • Media and Metadata Concepts
  • Concepts of Container and Codec
  • Common Containers
  • Types of Codecs
  • Types of compression: Intraframe and interframe. Compression ratio.
  • Color Sampling: 422, 444...
  • Quantization: 8 Bits, 10 Bits...
  • Transfer Rate
  • Calculating Material Weight in Shooting and Post-Production
  • Media Storage: Tape, Solid-State Memory, Hard Drive...
  • Camera Codecs: Characteristics and Comparison on a Table of Current HDTV, 4K and Digital Cinema Codecs.
  • Audio Codecs
  • Human Perception of Color and Light
  • CCD and CMOS Sensors. Dichroic Block and Bayer Matrix.
  • Color Capture in Sensors
  • Color Systems: RGB, HSL, XYZ.
  • Gamuts: Rec. 709, DCI P3, BT. 2020
  • Gamma: Differences Between Linear, Logarithmic, Pseudo-Logarithmic Curves.
  • Correction and Preview LUTs. Differences Between Look and LUT.
  • Linear Distribution
  • RAW: Explanation of RAW and Processed Media. Types of RAW Media "Development"
  • Raw Codecs
  • Legal and Extended Range
  • Video Connections: HD SDI, Dual Link, Y Pr Pb. 12G HD SDI. HDMI...
  • External Recorders
  • Telecine, Scanning and DI
  • DPX and Cineon Files
  • Intermediate Codecs: Avid DNxHD and DNxHR, Apple ProRes, 1:1.
  • Conforming
  • Workflows
  • Disk Structures: JBOD, RAID Systems.
  • High Dynamic Range HDR
  • Digital Projection. Introduction to DCP.
  • HDTV and UHDTV Mastering: Tape, Frame Sequence, QT, MXF, Blu-Ray
  • Archiving: LTO Tape, Sony ODA, AXF…

Objectives

  • Understand the theoretical and practical functioning of the technical parameters of digital video production and post-production.
  • Optimization of resources and costs through workflow improvement.
  • Introduce ourselves to new techniques that have emerged in recent years such as HDR and the ACES workflow.
  • Resolution of technical and theoretical questions.
  • Understand, through real examples, the application of techniques and formats in specific professional contexts.

Teaching Staff

IMDB profile LINKEDIN

Elena Humanes | Colorist

EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools. You can check her LinkedIn profile and her IMDB page

Aimed at

Editors, post-producers, directors of photography, digital image technicians, producers, filmmakers, DITs, filmmakers…

To take the course, it is recommended to have basic knowledge of video signal and digital cinema.

Materials

All materials used in our courses are high-quality files, captured with professional market cameras. You will be able to work with materials from real productions.

+ Info

Interested in our course? Need more information? Contact us at info@709mediaroom.com and we’ll answer all your questions!

Course code: CO-COWKF-GEN09

FAQ's

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