Odile Martín, student of the Online Course on Codecs, Formats, and Workflows

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Learn all the conforming tools of DaVinci Resolve and familiarize yourself with the less intuitive aspects of the program!

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One of the least known but most important aspects of the color process is conforming, in which we transition from working with “low” (offline) material to working with the “high” (online) camera materials. It is the step prior to color grading, and a task that both colorists and assistants must master to be able to work professionally in audiovisual color.

In our Online Course DaVinci Resolve Conforming, you will learn the necessary concepts to bring your timelines from editing to DaVinci Resolve. You will study the more “dry” or less intuitive aspects of the program, such as project configuration settings, and see in a practical way how to approach the workflows that allow you to get to DaVinci from different editors and materials.

It is a course focused on the conforming part from other editing programs such as Avid or Premiere, so it will be useful whether you want to color grade your own projects or if you want to start in the audiovisual industry as an assistant.

DaVinci Resolve is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level.

But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely.

An excerpt

Program

  • Online and Offline Concepts
  • What is Conforming?
  • EDLs, AAFs, and XMLs
  • Pre-conformed EDL
  • Types of Conforming Workflows
  • Project Configuration BEFORE Conforming
  • Material Import and Management
  • Working with Anamorphic Material: Clip Attributes
  • Working with Different Aspect Ratios
  • Traditional Conforming of a Complete Project
    • XML / AAF / EDL Import: Advantages and Disadvantages of Each
    • Comparison with Offline (Editing Reference)
    • Timecode Adaptation: by Clip or Timeline
    • Correcting Conforming Errors:
      • Basic editing tools
      • Speed Changes: Processing Modes
      • Inspector: Scale or Crop Adjustments
      • Transitions
    • Manual Conforming
    • Title Insertion
    • Relinking Offline Media
  • Conforming in Television and Documentary Productions
    • Scene Cut Detection
    • Pre-conformed EDL
    • Needs, Advantages, and Disadvantages of This Workflow

Objectives

  • Understand and familiarize yourself with DaVinci Resolve’s conforming tools and workflows
  • Optimization of resources and costs through workflow improvement.
  • Resolution of technical and theoretical questions.
  • Understand, through real examples, the application of techniques and formats in specific professional contexts.

Teaching Staff

IMDB profile LINKEDIN

Elena Humanes | Colorist

EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools. You can check her LinkedIn profile and her IMDB page

Aimed at

Colorists, editors in Avid, FCP, and Premiere, cinematographers, digital image technicians, producers, filmmakers, and anyone who wants to acquire the necessary foundations to bring their timelines from editing to color correction, as well as optimize the conforming workflow depending on the type of production.

To take the course, it is necessary to have basic knowledge of post-production and color. The course does not cover color correction theory or processes, nor the basic handling of DaVinci Resolve. It is a course specifically focused on conforming within the DaVinci Resolve software.

Materials

All materials used in our courses are high-quality files, captured with professional cameras on the market.

+ Info

SOFTWARE USED: DaVinci Resolve

Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!

Course code: CO-RESCONF-GEN10

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