3 HOURS
ADVANCED
19 VIDEOS
Direct video download
Master DaVinci Resolve color management from a technical, creative and professional perspective with an advanced approach!
Original price was: 75,00€.37,00€Current price is: 37,00€.
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In recent years, color management in post production has evolved towards scene referred environments, where the workspace and technical transformations are more precisely defined. DaVinci Resolve has led this transition with an increasingly complete color management system, allowing you to work with workflows such as ACES or DaVinci Wide Gamut in a flexible and professional way. This evolution has brought with it a new generation of color grading tools that operate differently depending on the color space and the Timeline Color Space (TCS), forcing the colorist to understand more deeply how the technical context influences the behavior of each control.
In this online course Advanced Color Management in DaVinci Resolvewe will explore how the different Timeline Color Spaces (TCS) affect the result of color grading and how key tools such as the HDR Tool, Color Warper or HDR nodes behave under scene referred and display referred environments. We will analyze in depth the ACES and RCM systems, learning how to identify when it is convenient to work in each one, how to set up a project correctly according to the type of material and how to optimize our creative decisions taking into account the technical transformations at stake. A training designed for colorists who already know the basics of the program and want to deepen their knowledge of the internal logic that DaVinci applies to color.
DaVinci Resolve remains the absolute benchmark in color correction, but today it requires a more technical and precise understanding of its internal engine. This course is an opportunity to master that invisible layer of color, the one that makes the difference between a standard workflow and a truly professional one.
Introduction to the course and general objectives.
Explanation of gamma functions and their role in the tonal representation of the image.
Graphical and conceptual representation of gamma functions in different work environments.
Analysis of the display referred environment and the impact of not having a real Timeline Color Space.
Implementation of TCS in display referred flows to use modern tools such as HDR Tool.
Practical considerations for delivery in specific formats such as DCP and IMF in display referred environments.
In-depth study of the role of metadata in color management: interpretation, inheritance and manipulation.
Strategies for maintaining control over technical and creative metadata throughout the workflow.
Initial configuration of projects in scene referred environments using RCM and ACES.
Comparison between different color spaces and curves (DaVinci Wide Gamut vs. AP1 / CCt).
Advanced use of IDT transforms, camera management, and application of empirical and analytical LMTs.
Analysis of the performance of tools such as LGG in different color environments.
Comparison between logarithmic tools and HDR Tool: how they respond to TCS.
Precise use of Offset control in scene flows and display referred.
Activation and practical application of the HDR mode of the node to control local and global contrast.
Impact of blending modes according to the color space and TCS set.
Composition and combination of fonts with different color profiles in a common environment.
Integration of customized IDTs for specific cameras and their use in mixed productions.
Review and summary of recommended workflows according to the type of project and its technical requirements.
Understand in depth the operation and differences between display referred and scene referred environments within DaVinci Resolve.
Analyze how the Timeline Color Space (TCS) affects the behavior of color correction tools.
Master the use of “color space aware” tools such as HDR Tool, Color Warper or LGG in ACES and DaVinci Wide Gamut environments.
Configure and apply professional workflows using RCM and ACES systems with different cameras, exports and formats.
Understand how IDT/LMT metadata and transformations affect the interpretation and final color output.
Elena Humanes | Colorist
EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools.
You can check her LinkedIn profile and her IMDB page
Colorists, Avid, FCP and Premiere editors, cinematographers, digital image technicians, producers, editors, filmmakers, and all those who regularly use DaVinci Resolve
To take this course, it is necessary to have basic photographic knowledge, as well as basic knowledge of post-production and color. The course does not cover color correction theory or its processes, nor the basic handling of DaVinci Resolve. It is a course specifically focused on DaVinci RCM color management
All materials used in our courses are high-quality files, captured with professional cameras on the market.
SOFTWARE USED: DaVinci Resolve
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Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!
Course code: CO-GCA-GEN15
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