In an increasingly integrated audiovisual environment, ensuring color continuity from shoot to final post-production is key. This course offers a complete methodology for working within DaVinci Resolve, designed to unify the DIT, lab and colorist processes in a single project. Through a clear and flexible structure, you will learn how to implement a professional workflow that ensures visual consistency across all types of productions, including high-end productions.
The training is divided into five blocks that cover from the initial configuration of the main project to the creation of the look, the work of the DIT on set, the preparation of dailies and transcodes, and the final closure through the conformation of an EDL. Compatibilities with environments such as ACES or classic flows based on LMTs and CDLs are also explored, allowing the incorporation of creative tools that would normally be left out of a conventional LUT. A course designed for those seeking technical efficiency without sacrificing creative control at every stage of the process. A single DaVinci project so that color corrections are the same at EVERY stage of production.
Program
Module 1: Introduction and workflow fundamentals
āø DIT-Lab-Color Flow Principles
āø Advantages of using a single centralized project.
Compatibility with ACES and CDL/LMT streams
Review of advanced tools not included in LUTs (OFX, masks, etc.).
Module 2: Configuration of the mother project
āø Creation and adjustment of the basic project
āø Structuring of timelines, bins, and folders.
āø Version management and daily backups from running-in
āø Key settings: frame rate, resolution, scaling, color management, reel name
Module 3: Work of the color department
āø Creation of looks (LMT) and Power Grades
āø Organization of the node tree and use of stacks.
āø Export of customized LUTs for camera.
āø Setting up a DIT and post-production compliant environment.
Module 4: ITL work on set
āø Material intake and allocation of IDTs.
āø Application of CDL looks and settings from the first node.
āø Correction of blanking, aspect ratio and sizing.
āø Filling in technical and narrative metadata.
Export of ALE, CDLs, TIFFs and reference files.
Module 5: Laboratory and Final Forming Processes
āø Media relinking and sound synchronization.
āø Rendering of transcodes and dailies with burn-ins
āø Use of proxies to speed up rendering.
āø Management of special materials (drones, anamorphics, archiving).
āø Final forming with EDLs and automatic recovery of corrections.
āø Preparation of the project for the final color stage.
Aimed at
Colorists in DaVinci Resolve, editors, cinematographers, digital image technicians, producers, filmmakers, and all those who want to learn advanced techniques and tools to boost their color corrections to a higher level.
To take the course, it is necessary to have basic photographic knowledge, as well as basic knowledge of post-production, color, and DaVinci Resolve. The course does not cover color correction theory or its processes, nor the use of the DaVinci Resolve tool. This is a course specifically focused on practical color correction of real sequences.
Materials
All materials used in our courses are high-quality files, captured with professional cameras on the market.
+ Info
SOFTWARE USED: DaVinci Resolve
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Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!
Course code: CO-DITLC-GEN15
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