Tania, student of the Online Course on Codecs, Formats, and Workflows

The videos in the online courses are very educational and up-to-date







Learn the export configuration for other departments like Editing or VFX, as well as mastering for final delivery in cinema DCP, IMF platforms, television, or web!

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Color work is useless if it’s not exported properly. There are many deliveries that need to be made from the professional color department: to VFX departments, sometimes to editing for them to continue their work, and of course the final masters that will be seen on platforms, television, or in cinemas.

In our DaVinci Resolve IMF DCP Exports Online Course, you will learn the export configuration for different workflows. You will see how to optimally perform exports for other departments such as Editing or VFX, as well as mastering for final delivery in cinema DCP, IMF platforms, television, or web.

DaVinci Resolve is rightfully the most used color correction program in any type of production, to the point that it has become the standard for digital production and post-production professionals. From a small short film graded on your laptop to a Hollywood movie on a 4K workstation, DaVinci Resolve is, without a doubt, the ideal tool for color correction at any level.

But DaVinci Resolve is no longer just for color; since its acquisition by Blackmagic Design, it hasn’t stopped growing. Currently, it’s a tool to carry out almost all post-production: editing, VFX, sound, LAB, DIT are some of the functions and disciplines that can be performed with the program. And now it can also be done collaboratively and remotely.

 

An excerpt

Program

  • Deliver Room
  • Export of complete timelines or independent clips
  • Export presets and generation of custom presets
  • Configuration of custom exports
  • Legal and extended range in export
  • Audio configuration for 2.0, 5.1 or multitrack outputs
  • Flat Pass
  • Color space metadata in export
  • Subtitle export
  • On-screen metadata
  • Optimized codecs for editing systems
  • Preserve Reel Names, timecodes and original names
  • DPX and Open EXR files
  • File naming and organization for VFX
  • Export of color-graded material for VFX
  • Roundtrip with editing systems
  • Exports with tails
  • Commercial Workflow
  • DCP generation in DaVinci Resolve
  • IMF export settings in DaVinci Resolve
  • H.264 encoding
  • H.265 encoding
  • DaVinci presets for YouTube and Vimeo
  • Direct upload from DaVinci to YouTube or Vimeo
  • Export for social networks: Facebook and Instagram
  • DaVinci 18.5 Update
  • DaVinci 19 Update
  • Disable video tracks in export
  • Flags and Clip color in Data Burning
  • JPEG-HT codec support in IMFs
  • Improvements in H264 and H265
  • AMF export
  • Reorganization of render queue

Objectives

  • Understand and become familiar with the export configuration of the Deliver Page, as well as with the different delivery processes.
  • Optimization of resources through workflow improvement.
  • Resolution of technical and theoretical questions.
  • Understand, through real examples, the application of techniques and formats in specific professional contexts.

Teaching Staff

IMDB profile LINKEDIN

Elena Humanes | Colorist

EDITING AND IMAGE POST-PRODUCTION DEPARTMENT
Elena Humanes is a colorist. She has worked on various television series and feature films, including Netflix's "The Longest Night", Movistar+'s "Supernormal", HBO's "The Room", "Mom or Dad" and "The Test" for cinemas. She is an expert in Filmlight Baselight and Blackmagic DaVinci Resolve color systems and provides training nationwide in production companies, television networks, and film schools. You can check her LinkedIn profile and her IMDB page

Aimed at

Colorists, editors in Avid, FCP and Premiere, cinematographers, digital image technicians, producers, filmmakers, and anyone who wants to acquire the necessary knowledge to perform material exports, whether for final mastering or intermediate processes.

To take the course, it is necessary to have basic knowledge of post-production and color. The course does not cover color correction theory or its processes, nor the basic handling of DaVinci Resolve. It is a course specifically focused on exporting, exemplifying different types of processes and productions.

Materials

All materials used in our courses are high-quality files, captured with professional cameras on the market.

+ Info

SOFTWARE USED: DaVinci Resolve

Interested in our course? Need more information? Contact us at info@709mediaroom.com and we will answer all your questions!

Course code: CO-RESDEL-GEN10

FAQ's

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